Side one is clogged with otherwise completely forgettable folk singers and Group Sounds bands that may have known how to dress like rock ’n’ rollers, but didn’t have the first clue how to play it. Dr. Acid Seven easily bests them all on Track 4, a thick slab of biker rock that singlehandedly makes the case for the importance of hard drugs in music. This guy makes the whole record worthwhile. Especially on Track 5’s sublimely good-natured drunken sing along. It’s a lanky, strutting song (with kazoo solo!) that happily ambles on down the road feelin’ great, while Dr. Acid Seven (who I imagine as a stilt-legged version of R. Crumb’s “keep on truckin’” guy) gets progressively wilder and sillier with his vocal acrobatics. It would be worth learning Japanese just to be able to properly sing along with this. Proving he can do “pretty” just as well as anybody else, he gets serious on track seven, going back to his futen days with a beautiful, delicate Japanese folk number. This is apparently his only legitimate appearance on record. Unlike the tidal wave of Les Rallizes Denudes releases, I haven’t been able to find any other bootlegs of him in action, which is a crying shame.
This doesn't sound anything like his set on the record, but it's still a pretty bad-ass clip of Acid Seven, Keiji Haino, Kenny Inoue, Masato Minami, Shime Takahashi, and Takashi Mizutani at Hibiya Yagai Ongakudo, Tokyo, May 1974.
Oz Disc 1
Oz Disc 2