When the end of the world comes, it will be a relief. Sister Ray prepared the way, and now Les Rallizes Dénudés have given us a glimpse of the disintegration awaiting us in the universe's sub-atomic foam, and there is nothing to fear. There is no afterlife, and no one is being punished. Creation and destruction are merely different verses of the same song.
Oh holy fuck...Guitars are slowly burning...It is the ecstasy of noise that prevails...
This is the ur-sound; the abyss and pinnacle of rock. It seems like it has been playing forever, but this is undoubtedly their finest moment. Every song on here feels like the GREATEST SONG EVER, and then you hear the next one and it's even better.
Disc one welcomes you gently, building slowly from Enter the Mirror's sparse guitar carefully filling the empty space, gradually joined by a wandering base and minimal drumming as Mizutani ratchets up the tension and squall. it's followed by their most "song-like" moment, Night of the Assassin. This song alone could power all the primordial engines at the Earth's core. Yes, they are playing the bass line from Little Peggy March's 1963 hit, I Will Follow Him. No, I don't know why. It's hypnotic in the extreme, and it will keep you sane when Mizutani rips off the veil of reality with the most painfully exhilarating guitar shriek-out ever recorded.
By disc two, you are subsumed in a massive sea of feedback; an infinity of noise and obliteration. The peace that surpasses understanding is pure annihilation. This is the holy grail of sound.
Disc 1
Disc 2
Oh holy fuck...Guitars are slowly burning...It is the ecstasy of noise that prevails...
This is the ur-sound; the abyss and pinnacle of rock. It seems like it has been playing forever, but this is undoubtedly their finest moment. Every song on here feels like the GREATEST SONG EVER, and then you hear the next one and it's even better.
Disc one welcomes you gently, building slowly from Enter the Mirror's sparse guitar carefully filling the empty space, gradually joined by a wandering base and minimal drumming as Mizutani ratchets up the tension and squall. it's followed by their most "song-like" moment, Night of the Assassin. This song alone could power all the primordial engines at the Earth's core. Yes, they are playing the bass line from Little Peggy March's 1963 hit, I Will Follow Him. No, I don't know why. It's hypnotic in the extreme, and it will keep you sane when Mizutani rips off the veil of reality with the most painfully exhilarating guitar shriek-out ever recorded.
By disc two, you are subsumed in a massive sea of feedback; an infinity of noise and obliteration. The peace that surpasses understanding is pure annihilation. This is the holy grail of sound.
Disc 1
Disc 2
Posts
1 Blurt:
Thank you very much for sharing the L.R.D. love.
I really like your insights, they are very profound and entertaining. Keep up the great job!
Blurt!