Much sharper and more rockist than most other neo-somnambulists, this is possibly the densest and most psychedelic of the three Wingdings releases. It's also my favorite. I especially love the Sha-Na-Na echoplex calliope 8:30 into Side A, followed by the partially sentient Commodore 64's built-from-memory approximation of The Association's Everyone Knows It's Windy. Side B is similarly awash in subliminal memories of tunes that have been peeled and re-fitted over Wingdings' unique framework (the best being The Walk/Japanese Whispers era Cure pastiche at 8:40), like an alien borrowing someone else's face.
Symbol of Infinity
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